DRAGON AGE 2 SKETCHY SERIES

вЂњHe was already working in an abstract mode,вЂќ Bloom muses. This beautiful, Escher-like pen-and-ink piece is one of about a dozen taken from HaringвЂ™s sketchbook for classes at the School of Visual Arts, where he enrolled at age 19.

DRAGON AGE 2 SKETCHY SERIES

The series ceased in 1985, with Haring off on another adventure.

вЂњAnd he always paid his fines - he considered it his debt.вЂќ Some greedy types took box cutters to the subway walls and took off with many an original Haring - not what the artist intended. вЂњHe got arrested a few times and fined,вЂќ Bloom says. Often, his work sat right next to an actual ad, a juxtaposition of вЂњpeopleвЂ™s artвЂќ and commerce. Here are works to look for.Д«ack in the вЂ™80s, when the MTA covered up old subway ads with black paper, Haring saw it as something to sketch on. вЂњItвЂ™s very much a New York show - the love affair between Keith and New York and the downtown new wave,вЂќ says curator Tricia Laughlin Bloom. YouвЂ™ll even find a few collages Haring made of old New York Post headlines, cutting them up to form pseudo stories like вЂњRonald Reagan Accused of TV Star Sex Death.вЂќ You can get a crash course on his early work at the Brooklyn Museum, where вЂњKeith Haring: 1978-1982вЂќ opens today with works on paper, posters, fliers, journals, photos and videos (in one, Haring literally paints himself into a corner, with Devo on the soundtrack). By the time he died - of AIDS-related complications in 1990, at 31 - heвЂ™d blurred the lines between high art and low, paving the way for artists like Banksy and Shepard Fairey.

He created a body of work with a distinctive, jigsaw-like alphabet: Matisse-like swirls, cartoony dolphins and dogs, spaceships and babies. Sidewalks, walls and subways became HaringвЂ™s canvas. Galvanized by its energy and its graffiti artists, he went to the School of Visual Arts and into the streets. Keith Haring loved New York: For an arty gay kid from Kutztown, Pa., the city, in 1978, must have seemed like heaven.

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